Composed of field recordings from around the Salthouse area, Between Tides uses recordings of reeds, saltmarsh, wire fencing, water and shingle, broken down and reconstructed with the use of overtone chanting, reordered and performed by Cecilia in an abandoned oil silo in the North of Denmark.
The soundscape traverses through multiple cross-connecting coastal environments, both of vast and microscopic scales. As it wanders it listens, an experience extending beyond the auditory, listening between perception to a space where nature and imagination collide.
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